Published by Simon & Schuster
Publication date: August 21, 2018
Genres: Contemporary, Debut, Fiction, Social Issues

I don’t focus on writing negative reviews, but at the same time, when a new novel is getting a lot of hype, my reading friends want to know what I think about it. In this case the novel is Stephen Markley’s debut, Ohio. If all you need is a one sentence opinion then here you go: The novel is a grim mash-up of the plot from 13 Reasons Why and the setting of Hillbilly Elegy and I’d advise reading either of them over this book.
Ohio centers around four classmates in New Canaan, Ohio and is split between two timelines—the present and high school. Bill, Dan, Stacey, and Tina all moved in similar circles, namely those of athletes and their girlfriends, with Markley visiting them in their high school personas and where they are now. Which is nowhere good, as the plot circles around the mystery of sexual abuse suffered by one of the characters, blackmail, the disappearance of another friend, and murder.
My initial problem with Ohio is Markley’s love of descriptors. Take this paragraph from the first chapter:
He spent a couple of minutes freeing all this handiwork, peeling at gobs of tape that lacquered his finger, plucking drunkenly at knots, marveling at how the black configurations of an internal combustion system could look like the phantasmagoric dream-empire likely ruled by a barbaric autocrat.
What should be a straightforward explanation of a character’s actions is lost in baroque prose that seems designed to show off his mad vocabulary skills. Throughout Ohio the reader is bludgeoned with excessive words, which is sad because, stripped down this is a brutal story, one that should be told in the starkest of tones, not tarted up with extraneous words.
Which leads me to whether the story should be told. Markley takes the worst of the worst in today’s news, from CTE, sexual assault, the loss of manufacturing in America, to crime, political corruption, the meth crisis…name it and one of the characters in Ohio has dealt or is dealing with it. I don’t mean to be glib, this novel is the fictional equivalent of the socio-economic situation in Hillbilly Elegy, and should not be taken lightly. Which isn’t even possible because Markley has a lead foot and is pressing the accelerator all the way down, from the novel’s opening scene where one young man is being honored for dying in Iraq to the bleakest high school reunion I’ve ever heard about to an act of revenge that is stunningly horrendous. It’s all too much.
I would not recommend the novel unless you’re looking to sink into darkness without hope, because there is no redemption or peace to be found in Ohio. If you’re ready or interested in exploring the worst of teenage America then the story may scratch that itch. The characters range from average teenage angst to flat out evil—and they don’t change much as they get older. Coupled with overblown prose this was a poor reading choice on my part.
YES! I’ve been waiting for this review! This sums it up perfectly “bludgeoned with excessive words.” I will say that the first chapter (or Prologue? Can’t remember) with the funeral and parade was excellent…then everything came to a screeching halt.
Ha! Glad you enjoyed. I still have no idea why I finished it. I know there are brutal truths out there, but he opted to roll them all into one book and then shovel a ton of words on it. Not good.
Well, you’ve summed up very nicely why this was a DNF for me before the end of the first chapter! I felt there was way too much descriptive “fancy” prose and rather than impress me it made me put the book down. Thanks for your honest review!
Wise choice. I’m still not sure why I finished. I like fancy sometimes, but then the plot became emotionally and physically gruesome. It was gratuitous. Just ugh.
Ouch! I’m so glad I skipped Ohio. I read the description many times, but could never bring myself to request it. It was also on the long side, and long books I need to be pretty sure about. Thanks for being so honest with your thoughts. It really is a big help to other readers.
You don’t need this one at all. The plot reminded me of Girls Burn Brighter- the violence and degradation felt gratuitous. And the length was unnecessary.
Wow, I’ll definitely give this one a pass! It’s too bad, because the premise might have drawn me in. I generally like books that revisit friends from school in adulthood. But it sounds like just too much of everything.
Wow, I’ve heard so many mixed things about this one. Great review.
It needed to be one or the other- either brutal story with lean writing or light story with excessive style. It was both and was way too much for me.
Great review, Catherine.
Thanks. I got a bit cranky.
Well, you know that’s one reason it appealed to me.
I know! Sometimes I wish I could be the light, cheery optimist, but I don’t see it happening. Not in this country right now. I can’t build a bubble big enough to not know/care what’s happening.
Everyone’s entitled to an option, but can’t say strongly enough , I completely disagree with the review.
I am just curious if you are a fan of Hallmark movies? ( Personally, I think their saccharine banality deserves our open contempt).
Just wanted to point out that escapism and/or moral uplift aren’t the only reasons people write or read novels.
It almost seems you are offended by Markley’s obvious focus on darkness and suffering; I actually really respected how Markley’s focus on darkness did not end in despair, in fact, one of the closing sentences reads:
“She understood, vividly, that the most astonishing gift of consciousness was also our tragedy, our cliché, our great curse: Love’s absolute refusal to ever surrender”.
Like Leonard Cohen, another poet of the darkness, once sang;
OUR LOVE IS NOT A VICTORY MARCH;
IT’S A COLD AND BROKEN HALLELUJAH.
I would be interested to hear what books or movies moved you despite their darkness?
I guess in the end, all of our opinions about art are just that; at the end of the day, you are not wrong and I am not right. Different strokes for different folks?
On a somewhat related note, let me end by sharing the words on the tombstone of the Christian author C.S. Lewis;
THE NIGHT HAS ENDED; THIS IS THE MORNING.
It wasn’t the focus on darkness it was the gore, something I’ve disliked in any form of entertainment since I was a child. Overly graphic violence feels like the easy way out.
As for darkness moving me? It moves me far more than light. Too many to list them all, but here’s a few: The Road, All the Ugly and Wonderful Things, The Innocents, The First Day of Spring, Shuggie Bain, and Too Bright to Hear Too Loud to See.
If you’re looking for a book where you can never side with the main character because of how terrible they are, you’re in luck! I couldn’t finish this book because it continuously puts a pit in my stomach by over describing terrible situations like sexual exploitation and overdoses (and a whole lot more!). There is no hope in this book, which yes, I understand can be used in a compelling way to write tragedy, but there is literally no room to breathe before the main character is talking about cutting somebody’s tattoo off with a razor blade just because he doesn’t. Like. Them. And don’t even get me started with how this dude introduces the women in this book. I’m so tired of hearing about whether or not he wants to screw somebody based on his pervy opinions on their character. Literally find something better to write about. I did not like this book at all