Publication date: October 22nd 2013
Donna Tartt’s latest novel is The Goldfinch. Oh My. This is a B.I.G. book, figuratively (Tartt’s first novel in eleven years) and literally (weighing in at a dense 771 pages on paper that is as weighty and glossy as the words printed on it). Theo Decker and his mother live alone in NYC. The story begins with a trip to the Metropolitan Museum before a school appointment for Theo, who has been suspended. The decision to stop at the Met, made by his art loving mother, is one that changes Theo’s life. A terrorist bomb rips through the museum while they are separated and only Theo emerges from the rubble alive. In the hours he is trapped, he comforts an elderly gentleman who drifts in and out of coherence and gives him two items that become a critical part of his future. One is a signet ring which he tells him to take to a specific house and they’ll know what to do and the other is a small painting the man sees in the dust and debris. He implores Theo to take it so it won’t be lost but it isn’t until he does that Theo realizes it is his mother’s favorite work, The Goldfinch by Carel Fabritius. A small piece, oil on wood, he is able to wrap it up and, like a totem, carries it with him into adulthood—despite knowing it immense value in the art world.
While Theo owns the space of protagonist Tartt surrounds him with characters that shine. My favorite is his friend Boris, an amalgam of Eastern European origins whose claim to fame in the first half of the story seems to be no greater than keeping himself and Theo high or drunk for the majority of their teen years. At the same time he imparts a world-weary but exuberant attitude with a dark humor that makes him endearing. There is a vague feeling of relief when he exits the stage upon Theo’s return to NYC, but it is only a temporary break and despite his multitude of flaws he is a wise and witty person; the perfect counterpoint to Theo and his survivor guilt.
And yet to be with Boris was to know that life was full of great, ridiculous possibilities—far bigger than anything they taught in school.
There is also the luminous Pippa, a girl he had glimpsed before the explosion, who turns out to be the niece of the elderly gentleman he sat with. The signet ring connects Theo to her and to the man’s business partner, Hobie, who becomes the most steadfast presence in his chaotic life. For her part, the elfish Pippa, recovering from profound injuries in the explosion, fills his dreams and, much like the painting, becomes a symbol for all that he desires in the world.
She was the golden thread running through everything, a lens that magnified beauty so that the whole world stood transfigured in relation to her, and her alone.
The Goldfinch is a profound work. It tells a tale with the best of them but also, goes so much further by encompassing all the grand themes—love, the meaning of life, our place in the world. These are not splattered across the novel in a Jackson Pollock frenzy but executed with the same precision and detail one might use to paint something as simple as a small bird tethered to a chain. Within so many pages, stories and themes it is hard to imagine that every noun, verb, and piece of punctuation could have been labored over, chosen and discarded, but with Tartt it seems completely plausible. There is the sense that she is acutely aware of every single choice made in the novel and to such a degree that the reader can only show their appreciation by a commitment to reading slowly and thoroughly, absorbing every word. There is nothing left to chance in The Goldfinch. Tartt creates a complete world, down to the sound a revolving door makes or how a European city has “cobblestoned loneliness” Her use of language is so precise that once she has described something it is difficult to imagine it any other way.
Precision can imply coldness or a lack of feeling but there is no such thing in Tartt’s writing. At its core, this is the story of a boy who loves his mother deeply and loses her while he is still a child. The rest of his life is shaped by this longing and sadness, exemplified by a small painting of a captive bird.
The painting had made me feel less mortal, less ordinary. It was support and vindication; it was sustenance and sum. It was the keystone that had held the whole cathedral up. And it was awful to learn, by having it so suddenly vanish from under me, that all my adult life I’d been privately sustained by that great, hidden savage joy: the conviction that my whole life was balanced atop a secret that might at any moment blow it apart.
Shannon @ River City Reading says
YES – so agreed on Tartt’s ability to place every word and phrase exactly where she meant it to be. You pulled out such fantastic quotes that are perfect for demonstrating her talent. Love this review.
Jennine G. says
If you we’re giving this a star rating of 1 to 5, what would you give it?
I’d give it a 4- it’s powerful, full of surprises, and ends so neatly, everything tied up in a bow, which i love. My only criticism? I felt there were about 150 extra pages.
Kerry M says
I haven’t quite managed to review this one because I loved it so much. Maybe that’s counter-intuitive, but I found I just wanted to let it settle after I finished it. So lovely in so many ways.
Jenny @ Reading the End says
I agree that there could have been cuts to this book, and it would have benefited by them. But as a whole, I enjoyed it tremendously. Boris is one of the best characters I’ve encountered in ages and ages.
If I had one complaint (it wouldn’t be the length because I like Donna Tartt’s writing so much), it would be that I wanted to see more of Pippa. I didn’t love her as a parallel to the painting — it would have been better if she’d been fleshed out more.
I can’t wait to get this one. I may even run out to a bookstore today to buy it. That says a lot as it is raining out and i have a terrible cold.
Rebecca @ Love at First Book says
771???? Yikes! But I’ve only heard good things about this chunkster!
Andi (@estellasrevenge) says
Such a lovely review and a book I HAVE to read!!!
Cynthia Robertson says
Wonderful quote you chose. I’ve read a few neutral reviews of this one. Having read yours here, I think those others probably misses the point(s) of the novel. I will definitely read this one!
There is A LOT going on in this novel and for some it might not work. I love full immersion in another world so I enjoyed it but even I thought it was a bit long.
I CANNOT wait to read this book. Thanks for the wonderful review.
Claire 'Word by Word' says
Was just contemplating purchasing this for Christmas or waiting to read it at the library, but after reading your review, now it seems I absolutely must have a copy!
M. Price says
What page did you find the quote about Pippa on?
I’m sorry, but I read the novel two years ago and have no idea. I’m sure you’ll recognize it when you see it. I hope you enjoy the book as much as I did!